Name
|
email
|
number
|
role
|
Addison Saxby
|
saxbyproductions@gmail.com
|
027 646 1697
|
Actor/ camera operator
|
Kayla Lockington
|
kayla.lockington13@gmail.com/
koala4005@gmail.com
|
022 165 7818
|
Lighting
|
Holly Prowderley
|
027 497 6291
|
Makeup artist
|
|
Jack Lear
|
Actor
|
||
Christopher de Bruin
|
chrismediastudies12@gmail.com
|
021 089 54318
|
Sound engineer
|
Ngaire Greenhill
|
O21 676 626
|
Makeup artist
|
Schedule
|
Saturdays-( undetermined due to covid-19)
|
9:30 AM -set up
|
10:00 AM -start filming
|
12:00 PM -break/footage review
|
12:30 PM -resume filming
|
4:00 PM -2nd break /review
footage
|
4:30 PM -resume filming
|
9:45 PM -pack up equipment
|
10:00 PM -completion
|
Audio operations
In this protect, the main theme that is guiding and informing me on the type of audio that is needed is a combination of loud and quite sounds that create contrast as weapons such as guns grab audience attention the protagonists must go unnoticed in order to hide their position. the sound will be carefully alternated between the communication and weapons firing. non-dietetic music will be used to build up suspense with a high energy, high tempo song leading up to the firing. The convention of building tension using things such as whispering to express the circumstantial danger (life or death) of the situation.
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